Musics Mrspennington

Just about musics reviews

Month: April 2024

Is ‘Classical Music’ Dead in the Water

On various blogs and message boards I’ve read lately I’ve encountered a lively argument on top of could you repeat that? We ought to call Classical Music. You know the kind of composition I mean: A conductor by the front, a cluster of musicians scraping, blowing, plucking and striking a variety of instruments ranging from the ‘fit your pocket’ small, to the ‘I need a dump truck to move this mother’ behemoth; all appraisal from printed scores, the largest part likely formally dressed, seldom smiling, earnest in their endeavours.

Polite applause ripples around the audience, generally initiated either by the ‘I know my stuff, so have under surveillance my go in front and praise as I do’ cognoscenti, or, more unsuccessfully, though admittedly more hilariously, by the enthusiastic ingenue who inadvertently claps linking schedule of a line quartet — “tut, tut!” Stifled guffaws and a kind of ‘there but pro the leniency of God perform I’ embarrassment wafts around the concert entry pro a instant. The cognoscenti get pleasure from their instant of schadenfreude, the Minuet begins.

This kind of composition bears the generic label ‘Classical’, but this is inaccurate, both in the significance of Classical Literature, which refers to Ancient Greece and Rome, and in the significance of Classical Music as a episode of musical history (see below).

Here are the minority quick view: ‘Classical Music’, in musicological provisions refers specifically to composition on paper roughly linking 1750 – 1820. It’s dominated by Sonata- and Ternary-form structures and adheres to a hierarchical vocal order proven as functional tonality. So, I say, don’t untidiness with it – it’s a sound, commonly expected label of reference. We know someplace we are with it; like comfy old slippers we give birth to grown-up accustomed to its feel — it fits. It ain’t broke, so don’t arrange it.

But, ‘Houston, we give birth to a problem’ – the label ‘Classical Music’ has been hijacked by indolent thinkers and good-for-nothing generalists to mean in the least form of composition someplace you might give birth to lone or more of the following:

A) a conductor

B) musicians appraisal from notated scores

C) musicians dressed as penguins

D) an absence of bare midriffs, thongs and lycra (and that’s only this minute the men!)e) singers singing lacking amplification, but mangling syllables and consonants into a ‘projected sound’, the volume of which would deposit in the least self-respecting Town Crier to disgrace. Come to think of it, they would produce a Jumbo jet a run pro its money in the decibel stakes.

So, composition on paper since 1820, even composition on paper remaining month, gets labelled ‘Classical’ if it meets the criteria traditional banned higher than.

Recently I’ve approach across various blogs and online articles discussing this publication, with more or less attention-grabbing suggestions pro alternatives. Let’s take a look by more or less of them:

Knack Music – Pleeeeease!!! Are you fatally suggesting with the aim of the Miles Davis / Gil Evans collaborations, or Charlie Parker’s pioneering attitude to harmony doesn’t amount to art? You can’t smash-and-grab a monopoly on the disguised worth associated with such a label lacking making by hand severely unpopular with musicians of other genres.

Serious Music – are you serious? Again, I know many Jazz musicians who are each crumb as serious with reference to their composition as in the least ‘Classical’ musician.

Notated Music – this is a no-go as well, for the reason that so many other forms of composition are notated, from Pop through to Jazz & Blues. You besides leave by hand inmate to the question ‘what is notation?’. Those who declare with the aim of notation doesn’t exist in Pop or stun composition are chatting rot – it’s alive and well and, with the advent of central processing unit notating software, more than continually obtainable to Popsters pro their horn and line arrangements.

The magic of electronic music

Dance Downloads – The magic of electronic music
(dancedownloads.blogspot.com)

The magic of music

Do you ever find yourself being suddenly transported back in time and space by the first chords of a familiar song that starts playing unexpectedly? It does not matter much if you hear this song on the car radio, the sound of the shop where you pick something or inside a restaurant where you’re dining. In seconds, you’re out of air travel and start dreaming. After a while you find yourself immersed in a realistic scenario so that it is able to recall happy moments with vivid detail in a recent or distant past, and it gives you a deep and unspeakable welfare.

So far, nothing else. Visual sensations, olfactory, gustatory and tactile stimuli also have the power to remind us of situations encountered previously. But it seems like certain songs more easily associate the events lived in a particular context. And almost always they bind to the sensations that give us pleasure, joy and peace and give us the same feeling every time you hear them again. The nostalgic can be moved by the tears on hearing certain songs because they bring you happy memories of a past that no longer exists. But back to this and despite the tears, are happier, because the music was able to bring them back a little of that happiness.

Heard alone, the music goes straight to the soul, and as there is no interference, the more imagination is free to fly. Listening with another person, then you have a partner, a companion or accomplice with whom to share the music. However, nothing compares to the music you hear in a group, because then the reactions take place in jail. Each has its own history of experience which adds to the stories and experiences of others and all are there because they went in search of happiness or to share with others the joy they already have within themselves.

This is the magic of music. The show may end, but that song keeps playing in the minds and hearts for a long time, sometimes for years or forever. In fact, it will be etched in people’s memory. That is why, as an icon that is clicked, each time that song is played, the memory is “call” and all that this show is done again, repeating the same joy, the same vibe and the same ecstasy.

As always go to these places and hear the same songs can eventually lead to boredom, it is usually possible to vary the places you go and listen to different music or music played by other well-known artists in a new way. In other words, going to shows, meet other artists and bands, and at home when this is possible, instead of listening to music while performing some task, listening to music by the way, sitting comfortably in our favorite chair and, preferably, the cover of the CD or DVD in hand to accompany the letter, will only increase our own musical repertoire. And for what?

Just as our cultural background increases in proportion as we read new books, watch new movies and keep informed about current world events by reading newspapers and magazines, the renewal of our musical repertoire will make this even better, because nothing should have more importance in our lives than the present moment.

The new song, though it is only new to us, is a virgin. Not yet linked to situations, because he’s born and begins to irrigate the present moment, which is good and beautiful. So, today it can be enjoyed and savored by itself without joins. In a while, when we hear that music we hear today for the first time, some associations may be established. So, let us remember a time when we were happy, yes, but we were well aware of that happiness which, after all, still, because, like the time, the music does not stop, and yet it never gets old.

Tags: